Close-Up: Great Cinematic Performances Volume 2: International

Author:   Murray Pomerance ,  Kyle Stevens
Publisher:   Edinburgh University Press
ISBN:  

9781474431804


Pages:   328
Publication Date:   31 August 2019
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Close-Up: Great Cinematic Performances Volume 2: International


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Author:   Murray Pomerance ,  Kyle Stevens
Publisher:   Edinburgh University Press
Imprint:   Edinburgh University Press
ISBN:  

9781474431804


ISBN 10:   1474431801
Pages:   328
Publication Date:   31 August 2019
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Reviews

Pomerance and Stevens's collection adds a significant international scope to the field. In volume 1, America, standouts include Anna Everett on Ethel Waters's resistance in The Member of the Wedding and Lucy Fischer on Bette Davis and metaperformance in the studio era. In volume 2, International, performances from Western Europe to Asia are examined. Noteworthy among the contributions are Douglas McFarland on Toshiro Mifune, Kyle Stevens on Michel Serrault in La cage aux folles, and Noah Tsika on Omotola Jalade-Ekeinde in Mortal Inheritance. -- S. Mabee, Ozarks Technical Community College, CHOICE


"Mustering a wide array of voices and perspectives, these game-changing volumes provide a welcome scholarly corrective to the scandalous undervaluation of actors, acting, and performance that has prevailed in cinema studies for far too long. This collection promises to shape discourse on screen acting for many years to come.--David Sterritt, Maryland Institute College of Art Pomerance and Stevens's collection adds a significant international scope to the field. In volume 1, America, standouts include Anna Everett on Ethel Waters's resistance in The Member of the Wedding and Lucy Fischer on Bette Davis and metaperformance in the studio era. In volume 2, International, performances from Western Europe to Asia are examined. Noteworthy among the contributions are Douglas McFarland on Toshiro Mifune, Kyle Stevens on Michel Serrault in La cage aux folles, and Noah Tsika on Omotola Jalade-Ekeinde in Mortal Inheritance.'--S. Mabee, Ozarks Technical Community College ""CHOICE"""


Author Information

Murray Pomerance is an independent scholar living in Toronto and Adjunct Professor in the School of Media and Communication at RMIT University, Melbourne. He is the author of The Film Cheat: Screen Artifice and Viewing Pleasure (2020), Grammatical Dreams (2020), Virtuoso: Film Performance and the Actor's Magic (2019), A Dream of Hitchcock (2019), and Cinema, If You Please: The Memory of Taste, the Taste of Memory (2018), among many other volumes, and editor or co-editor of more than two dozen books including The Other Hollywood Renaissance (2020). He edits the ""Horizons of Cinema"" series at SUNY Press and the ""Techniques of the Moving Image"" series at Rutgers. A Voyage with Hitchcock and Color It True: Impressions of Cinema are both forthcoming. Kyle Stevens is Assistant Professor of Film Studies at Appalachian State University. He is the author of Mike Nichols: Sex, Language, and the Reinvention of Psychological Realism, and his essays have appeared in Cinema Journal, Critical Quarterly, Film Criticism, World Picture, as well as several edited collections. He is also editor-in-chief of New Review of Film and Television Studies.

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