Overview
In Technology and the Diva, Karen Henson brings together an interdisciplinary group of scholars to explore the neglected subject of opera and technology. Their essays focus on the operatic soprano and her relationships with technology from the heyday of Romanticism in the 1820s and 1830s to the twenty-first-century digital age. The authors pay particular attention to the soprano in her larger than life form, as the 'diva', and they consider how her voice and allure have been created by technologies and media including stagecraft and theatrical lighting, journalism, the telephone, sound recording, and visual media from the painted portrait to the high definition simulcast. In doing so, the authors experiment with new approaches to the female singer, to opera in the modern - and post-modern - eras, and to the often controversial subject of opera's involvement with technology and technological innovation.
Full Product Details
Author: Karen Henson (City University of New York)
Publisher: Cambridge University Press
Imprint: Cambridge University Press
Dimensions:
Width: 18.90cm
, Height: 1.30cm
, Length: 24.40cm
Weight: 0.480kg
ISBN: 9781108723336
ISBN 10: 1108723330
Pages: 244
Publication Date: 21 February 2019
Audience:
College/higher education
,
Tertiary & Higher Education
Format: Paperback
Publisher's Status: Active
Availability: Manufactured on demand
We will order this item for you from a manufactured on demand supplier.
Reviews
'Is a 'diva' a coddled megastar, or an archetype of female power? Is 'technology' a euphemism for the modern world's threat to artistic tradition, or a synonym for craft and innovation? The essays in this book will leave opera-lovers questioning their assumptions - and turning the page to read more.' Anne Midgette, classical music critic, The Washington Post 'What can, what should, technology do for the diva? Can such a starry, extravagant symbol find a place within our imaginings of industrial and post-industrial modernity? This engaging collection of essays, which ranges over two hundred years of opera, offers a fascinating and surprisingly positive answer.' Roger Parker, King's College London
'Is a 'diva' a coddled megastar, or an archetype of female power? Is 'technology' a euphemism for the modern world's threat to artistic tradition, or a synonym for craft and innovation? The essays in this book will leave opera-lovers questioning their assumptions - and turning the page to read more.' Anne Midgette, classical music critic, The Washington Post 'What can, what should, technology do for the diva? Can such a starry, extravagant symbol find a place within our imaginings of industrial and post-industrial modernity? This engaging collection of essays, which ranges over two hundred years of opera, offers a fascinating and surprisingly positive answer.' Roger Parker, King's College London Is a 'diva' a coddled megastar, or an archetype of female power? Is 'technology' a euphemism for the modern world's threat to artistic tradition, or a synonym for craft and innovation? The essays in this book will leave opera-lovers questioning their assumptions - and turning the page to read more. Anne Midgette, classical music critic, The Washington Post What can, what should, technology do for the diva? Can such a starry, extravagant symbol find a place within our imaginings of industrial and post-industrial modernity? This engaging collection of essays, which ranges over two hundred years of opera, offers a fascinating and surprisingly positive answer. Roger Parker, King's College London
Author Information
Karen Henson is Associate Professor at the Frost School of Music, University of Miami. She trained at the University of Oxford and in Paris, and her work has been supported by fellowships and awards from The British Academy, the Stanford Humanities Center, and the Radcliffe Institute for Advanced Study, Harvard University. Henson's research focuses on nineteenth-century opera, singers and opera performance, and opera and technology. She is the author of Opera Acts: Singers and Performance in the Late Nineteenth Century (Cambridge, 2015). She is currently working on a book about opera and early sound recording.
