Britten Experienced: Modernism, Musicology and Sentiment

Author:   Peter Franklin
Publisher:   Taylor & Francis Ltd
ISBN:  

9781032666648


Pages:   116
Publication Date:   26 December 2025
Format:   Paperback
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

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Britten Experienced: Modernism, Musicology and Sentiment


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Full Product Details

Author:   Peter Franklin
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
ISBN:  

9781032666648


ISBN 10:   1032666641
Pages:   116
Publication Date:   26 December 2025
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Forthcoming
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

Table of Contents

Title and Foreword (concluding with ‘A note on the text’). List of Figures 1. Introduction; the roots of my musical taste and Chowrimootoo’s worry -00 ‘Noyes Fludde’ from the pews -00 2. Secondary-school Britten; ‘The Turn of the Screw’-00 Music A-level and ‘War Requiem’ -00 3. Encountering Britten as a music student at York in the late 1960s -00 Essay: Grimes and the Sentimental -00 4. Graduation; Britten and Pears return to York -00 Essay: Billy Budd. Confronting the Highbrow Critique of Opera -00 5. Singing at Aldeburgh; musical scholarship -00 Opera in the ’70s, and ‘Death in Venice’ -00 6. A trip to East Berlin and the start of a career -00 Teaching opera. Britten’s Death. Mahler and Donald Mitchell -00 7. Essay: Travels. Towards Musical Meaning (The Serenade for Tenor, Horn and Strings). -00 Leeds. ‘The open secret’. Philip Brett and ‘A Midsummer Night’s Dream’. -00 8. Essay: Modernism and Musicology -00 Select Bibliography -00 Index Acknowledgements

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Author Information

Peter Franklin, a professor of music at the University of Oxford until 2014, is an Emeritus Fellow of St Catherine’s College. He has taught on both sides of the Atlantic and has written a number of books and articles on Mahler, Schreker and other composers of the period c. 1880–1933.

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