British National Cinema

Author:   Sarah Street ,  Sarah Street (University of Bristol, UK)
Publisher:   Taylor & Francis Ltd
Edition:   2nd edition
Volume:   v. 2
ISBN:  

9780415384223


Pages:   248
Publication Date:   13 August 2008
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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British National Cinema


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Author:   Sarah Street ,  Sarah Street (University of Bristol, UK)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   2nd edition
Volume:   v. 2
Dimensions:   Width: 15.60cm , Height: 1.80cm , Length: 23.40cm
Weight:   0.453kg
ISBN:  

9780415384223


ISBN 10:   0415384222
Pages:   248
Publication Date:   13 August 2008
Audience:   College/higher education ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

List of plates, Acknowledgements, Introduction: British national cinema, 1 The fiscal politics of film, 2 Studios, directors and genres, 3 Genres from austerity to affluence, 4 Genres in transition: 1970s to 1990s, 5 Contemporary British cinema, 6 Acting and stars, 7 Borderlines I: Modernism and British cinema, 8 Borderlines II: Counter-cinema and independence, Conclusion, Notes, Bibliography, Subject index, Name index, Index of films and television programmes

Reviews

'An easy overview of British cinematic history.' - CHOICE


Author Information

Sarah Street is Professor of Film at the University of Bristol. She is the joint author of Cinema and State (with Margaret Dickinson, 1985) and Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema (with Tim Bergfelder and Sue Harris, 2007), author of British Cinema in Documents (2000), Costume and Cinema (2001), Transatlantic Crossings: British Feature Films in the USA (2002) and Black Narcissus (2005). She is co-editor of Moving Performance: British Stage and Screen (with Linda Fitzsimmons, 2001), European Cinema (with Jill Forbes, 2001), The Titanic in Myth and Memory (with Tim Bergfelder, 2004) and The Queer Screen Reader (with Jackie Stacey, 2007).

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