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OverviewFull Product DetailsAuthor: Richard C. Jankowsky (Tufts University, USA) , David Horn (Independent Scholar, UK) , Dr. John Shepherd (Carleton University, Canada)Publisher: Bloomsbury Publishing Plc Imprint: Bloomsbury Academic USA Dimensions: Width: 16.90cm , Height: 1.80cm , Length: 24.40cm Weight: 0.471kg ISBN: 9781501311468ISBN 10: 1501311468 Pages: 168 Publication Date: 03 December 2015 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsReviewsNo mere reference volume, this is a fascinating and engagingly written introduction to the incredibly rich variety of musical genres of the Middle East and North Africa, from folkloric Bedouin songs to the seamen's anthems of Kuwait to the working class sha'bi of Egypt. Especially impressive is the inclusion of varieties of music from regions often ignored or forgotten, including Azerbaijan, Armenia, and the Arabian Gulf. Learned yet accessible, it is an invaluable resource, and a truly great read. Ted Swedenburg, Professor of Anthropology, University of Arkansas, USA Author InformationDavid Horn was a founding editor of the journal Popular Music and a founding member of IASPM (The International Association for the Study of Popular Music). He was Director of the Institute of Popular Music at the University of Liverpool from 1988 until his retirement in 2002. Together with the blues scholar Paul Oliver he first proposed the idea of EPMOW in the 1980s, and has worked on the project since that time. John Shepherd is Vice-Provost and Associate Vice-President (Academic) and Chancellor’s Professor of Music and Sociology at Carleton University, Ottawa, Canada. He was from 2007-2012 Carleton’s Dean of Graduate and Postdoctoral Affairs. Dr. Shepherd has been a member of EPMOW’s editorial board since 1990. In 2000, he was elected a Fellow of the Royal Society of Canada in recognition of his role “as a leading architect of a post-War critical musicology.” Tab Content 6Author Website:Countries AvailableAll regions |