Analytical Approaches to 20th-Century Russian Music: Tonality, Modernism, Serialism

Author:   Inessa Bazayev (Louisiana State University, USA) ,  Christopher Segall (University of Cincinnati, USA)
Publisher:   Taylor & Francis Ltd
ISBN:  

9780367430320


Pages:   270
Publication Date:   29 September 2020
Format:   Paperback
Availability:   In Print   Availability explained
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Analytical Approaches to 20th-Century Russian Music: Tonality, Modernism, Serialism


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Author:   Inessa Bazayev (Louisiana State University, USA) ,  Christopher Segall (University of Cincinnati, USA)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9780367430320


ISBN 10:   0367430320
Pages:   270
Publication Date:   29 September 2020
Audience:   College/higher education ,  Tertiary & Higher Education ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"Table of Contents Contributors Introduction Part I: Tonality Chapter 1 Tonal Pairing in Two of Rachmaninoff’s Songs Ellen Bakulina Chapter 2 Abundant Novelty of Antitonic Harmony in the Music of Nikolai Myaskovsky Scott Murphy Chapter 3 House of Mirrors: Distorted Proportions in Prokofiev’s Piano Concerto No. 1 Rebecca Perry Chapter 4 A Curiosity in the Early String Quartets of Shostakovich, and Its Precedents in Previous Works Patrick McCreless Chapter 5 Navigating Post-Soviet Armenia: On Decoloniality in Tigran Mansurian’s Requiem Knar Abrahamyan Part II: Modernism Chapter 6 Fifths’ Paths through Nikolai Roslavets’s Three Poems of Zinaida Gippius Inessa Bazayev Chapter 7 Alexander Mosolov’s Piano Sonata No. 1 and Its Synthetic Modernism Daniil Zavlunov Chapter 8 The Rebirth of Melody in Lourié’s Post-Neoclassical Concerto da camera Klára Móricz Chapter 9 The Features of Alexander Tcherepnin’s Nine-Step Scale and Its Use in the First Movement of His First Symphony Joshua Bedford Chapter 10 Timbre and Vibration in Galina Ustvolskaya’s Composition No. 1, ""Dona nobis pacem"" Maria Cizmic Part III: Serialism Chapter 11 Edison Denisov and Multiple-Row Serialism Zachary Cairns Chapter 12 Historical and Stylistic Reconciliation in Sofia Gubaidulina’s Reflections on the Theme BACH Joseph Straus Chapter 13 Monogram, Theme, and Large-Scale Form in Alfred Schnittke’s Viola Concerto Christopher Segall Index"

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Author Information

Inessa Bazayev is Paula G. Manship Associate Professor of Music Theory and Theory Area Coordinator at Louisiana State University. Christopher Segall is Associate Professor of Music Theory at the College-Conservatory of Music, University of Cincinnati.

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